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MUSIC AND SPIRITUALITY
November 21, 2013, 5:19 pm
Filed under: Music, Uncategorized | Tags: , , ,
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Gaza Flotilla Two Theme Song (Hey, Jews)
June 27, 2011, 2:23 pm
Filed under: Music, Uncategorized

“If you get a container from Gaza to Israel, how do you know it isn’t going to explode?” says Mark Regev, a spokesman for Israeli Prime Minister Benjamin Netanyahu. “There are logistic and security issues, but the policy is to widen.”

 

It is due to arrive on Thursday

last week of the “siege”: 637 truckloads, consisting of 14,069 tons of humanitarian aid.

“Among the goods for Gaza civilians were 810,209 liters of heavy duty diesel fuel; 21 truckloads of milk powder and baby food; 897 tons of cooking gas; 66 truckloads of fruits and vegetables; 51 truckloads of wheat; 27 truckloads of meat, chicken and fish products; 40 truckloads of dairy products; 117 truckloads of animal feed; 36 truckloads of hygiene products; 38 trucks of clothing; 22 trucks of sugar and 4 trucks of medicine and medical equipment.

“In addition to that, 781 medical patients and accompanying individuals from the Gaza Strip crossed into Israel to receive treatment in various hospitals and 191 staff members of international organizations crossed into the Gaza Strip, and 202 crossed back from Gaza.”

Pretty impressive, especially when you consider that this is all being done by Israel for a people that wants to destroy it.

DF: Some flotilla activists planning to kill soldiers

By YAAKOV KATZ
06/28/2011 09:17

Army sources tell ‘Post’ they have intelligence showing some participants in upcoming flotilla plan to use chemical weapons against troops; flotilla member Dror Feiler: Claims “are attempt to justify IDF violence.”

 

IDF sources said Monday night that new intelligence information obtained in recent days shows that participants of the flotilla planning to break Israel’s sea blockade over the Gaza Strip later this week plan to kill IDF soldiers who board their ships.According to the information obtained by the IDF, some of the participants have prepared sacks with sulfur, which they plan to pour on the soldiers as they board the vessels.
“This is a chemical weapon, and if poured on a soldier it can paralyze him,” an IDF source told The Jerusalem Post Monday night. “If the sulfur is then lit on fire, the soldier will light up like a torch.”The information was obtained from closed meetings held by participants on the ships during which some voiced their intention to “murder Israeli soldiers,” according to the IDF.In response to the IDF’s statements, Dror Feiler, an Israeli participant on the upcoming flotilla, told Army Radio that the claims “are an attempt to justify in advance IDF violence.”

Feiler said that as long as it is up to flotilla organizers, activists planning to harm IDF soldiers will not participate in the mission.

“If Israel suspects any one, it should provide us with information so we can stop him. Violent people are not permitted to take part in the flotilla,” he said.

“All of the passengers signed a pledge of non-violence, because we don’t want a repeat of what happened in the last flotilla,” Feiler stressed. “We have no intention of confronting anyone. We just want to arrive in Gaza in peace. Israel has no reason to stop the flotilla.”

http://www.jpost.com/Defense/Article.aspx?id=226885



GONG
August 18, 2010, 4:53 pm
Filed under: Music


Music and Spirituality
April 22, 2010, 10:39 am
Filed under: Music

The harp of Messianic days has eight strings, while the harp of the world to come has ten strings.

Rabbi Shimon teaches that musical instruments were used by all the prophets to reach an ecstatic mood before receiving the spirit of prophecy-except Moses, who did not need any external aids. Even if Moses did not need any external aids to reach prophesy he did play a wood flute.

One accent to the light is by song. As song draws the light of “chuchmah” (Divine creative inspiration) As taught by the Sulam on zohar Tikunim . The Shur Kuma teaches there rises song and Tune that begins elevation and arrouses below to above. After this there descends flow to the level below in the secret of including all in man. In the  secret of remembering portions for tikun (repair). In the secret of each and every measure. Thus repairing all damages in oneself and the worlds, as is permitted and merited.

God created and formed all of creation according to the laws of musical harmony. God created humans with wisdom, in His own image, according to harmonic proportions.

Music includes natural mathematical acoustic laws of vibrations, they link with the 22 number-letter-notes the musical aspect of the Hebrew alphabet.  The Hebrew number-letter-note (n-l-n) is one.

The Hebrew law of music is part of the Torah which is the divine blueprint of creation, including the cosmos.

The building blocks of Biblical Hebrew are not the number-letter, but the two-letter word roots.  Each root possesses its own meaning; from these radiate out the different meanings which at first sight, appear totally unrelated.

The basic building brick of music is not the number-note, but the interval. Each interval possesses its own character, quality, and polarity, a tension with its own value especially within the decad 1…10.

The basic natural law of acoustics is the spontaneous generation of overtones of any note sounded: it generates further notes which are simple orderly whole number multiples of the fundamental’s vibration.

Professor R. Haase, Vienna, writes ‘Harmonic is the science of identical laws of proportion in nature, in man, in music.’

There are 12 most important intervals which are most frequently used-both in music and in nature.

R. Haase lists them as follows:

  • Consonances: Dissonances:

  • octave 1:2 minor seventh 5:9

  • fifth 2:3 minor second 8:9

  • fourth 3:4 major seventh 8:15

  • major sixth 3:5 minor second 15:16

  • major third 4:5 tritone 32:45

  • minor third 5:6

  • minor sixth 5:8

These correspond to the 12 permutations of Yhv”h, the 12 “simple” Hebrew letters, 12 hours of day and night and 12 constellations all this is explained in the Book of Abraham in the Bible called “Safer Yetzera” (The Book of Creation)

Torah Tradition understands these proportions, both as letter roots and as intervals, as basic structures of all form-giving processes of our universe.  They are sung unceasingly by angelic beings.

Both ancient Torah wisdom teaching and modern Harmonics deal with the formation and the implicative order and preservation of the cosmos. Great regulation rests on the unity of number – and – harmony of vibrations.

Within the range of audible sound waves in the air (16-200 Hz), especially within the range of the voice (80-1024 Hz) man has access to interact with the laws of the universe, from fast ‘fire’ – to slow ‘water’ – waves and beyond these.

In sound alone, man finds this flawless match between quantity and quality, numbering and meaning – based on natural acoustic laws and man’s innate Divine intuition.

The Torah System of Harmonics contains the order, both as a whole and in part, of the totality of music.  And discord – evil finds here its necessary redeeming function: in harmony.  The System is representation of the exact harmony of our cosmos.  Modern sciences are, unwittingly, engaged in producing more and more proofs for this at ever-increasing speed.

Torah Harmonics has the male-female voice as its touchtone.  This is closely linked to the origin of music.

In earlier generations music and dance were sacred observances connecting with God’s forces of nature;  they were expressed in the temple, prayers, blessings  and exorcisms. The human voice was used as a vessel for non-human Divine voice utterance – as is the priestly blessing in prayer today, and the prayers of Holy people.

The divine service of the Hebrews use the spoken word is stylized into a chant, as is the Bible cantillation when singing from the Torah scoll. This way of singing the Torah God taught Moses at Sinai. The text is recited on a single note, a kind of tonal axis, while the beginning and the end of the sentences, and the main points of punctuation are marked by brief melodic flourishes.’

This form of singing, limited to a few notes, is not at all a natural form of either talking or singing.  In talking, our speech produces a natural flow of voice, marked by frequent change of pitch.  At the end of a normal sentence, the voice sinks by a fourth.  An order or an exclamation is marked by a rise of the voice by a fourth.  While the fifth upwards marks a question.  And for tender expressions, the voice uses the third.  All this is unconscious.

By channeling speech into a one-note recitation, a Spiritual hypnotic effect is produced, on hearers and speaker.  Strangely enough, this even chant marks the birth of music!  Paradoxically, music results when free movement of the voice ceases, and it is forced onto one repeated, perforated note.  But to our hearing, this poor one note is the true music and farther from speech than the most melodious song.  Why does music begin for us when our natural melodious speech is reduced to a single non-melodic interrupted note?  Clearly, it is not melody alone – in the sense of pitch variation – which makes music for our understanding. It is our feeling that the chanter, the bard, carries a superhuman sound charged with a divine message.

Music awakens man’s soul to its greatest spiritual heights – to all-seeing, all-hearing, to all-knowing at once.  Thus in the Bible we see music awakening the prophetic spirit – and music lets man partake of the Holy Spirit.  ‘With a psaltery, a timbrel, a flute and a harp before them, they will be prophesying.  And the spirit of the Yhv”h will come upon you, and you will be turned into another man’ (Samuel I x.5,6);  “And when the minstrel played, the hand of the Yhv”h came upon him” (Kings II,2, 15).

Voice is the divine mark in man – Voice Is man

Man’s voice, his language echo G-d’s voice and utterance in Biblical Hebrew, tongue of creation and tongue of revelation

Jewish liturgy, laid the foundation of European music.  The sacred song of Israel gave birth to the Georgian and Byzantine chant.

Music leads into the future.  By regaining the ways of the harmonic Laws of the Hebrew Tradition, of tonality, can man also regain health and joy for himself and for creation.

The whole world is nothing more than  singing and a dancing before the Holy One, blessed be He.

In the name of the Lord our God,  we will sing a new song, complete and perfect, which will resonate to the vibrations of the music of the heavenly spheres, and the angels will joyfully sing antiphonally and in harmony, until the whole universe will be completely filled with light, joy, happiness, and honor with the arrival of our righteous Messiah quickly in our days !



This music is definately God’s Secret
April 20, 2010, 10:50 am
Filed under: Music

Pretty much unknown and

Great



The lost Acid-Found
August 28, 2008, 7:42 am
Filed under: Music

Drug pioneer Owsley Stanley,  is credited with introducing The Beatles and the hippy generation to a new and very controversial substance. He gave them a consignment of liquid LSD, which eventually fell into the hands of Lennon, before being buried in the grounds of Kenwood.

John Lennon supposedly buried the Acid in his garden in 1967. The rock legend is said to have dug a hole for a vast quantity of LSD at Kenwood, in Weybridge, Surrey only to then forget where he’d put them, leaving the illegal bounty hidden underground forever. It has now emerged that a group of builders working at the estate, where Lennon lived between 1964 and 1968, have made an amazing and potentially decisive discovery while digging up the lawn. They are reported to have found a leather hold all containing several large, broken glass bottles, plus one that has not smashed.

Could be more there if you want to start digging

more at

http://new.uk.music.yahoo.com/blogs/touchingthevoid/36343/lennons-lsd-stash-discovered/